Archive for the ‘Portraits’ Category

Tears of Llorona served in Riedel stemware.

Tears Of Llorona–Tequila’s Higher Octave

“Don’t only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.”–Ludwig van Beethoven In music, an octave is the difference in sound between the first and eighth note on a musical scale. In astrology, the planets Uranus, Neptune and Pluto are commonly considered the […]

A cocktail and sample of T1.

A Bartender’s Tip from Germán González

In this clip, Germán González, distiller of T1 Tequila Uno and Tears of Llorana, reveals the difficulty in getting consumers to sip 100% agave tequila and shares a technique that a particular bartender uses to educate drinkers who ask for T1 in a cocktail. A thoughtful bartender or mixologist will always serve the customer in […]

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Germán González and The Riedel Tequila Glass

In this segment, Germán González, distiller of T1 Tequila Uno and Tears of Llorana, explains why the Riedel Ouverture glass (now part of Riedel’s Vinum collection) is ideal for tequila tasting. He demonstrates the right way and the wrong way to hold the glass, and details why it is so effective a tool when enjoying his exquisite tequilas. […]

Agave fields.

The Rules of Agave with Germán González

In these next two clips, while enjoying sips of Germán González’s masterpiece, Tears of Llorona, we discuss the ins and outs of the tequila business. The Only Rule That Counts Germán Gonzalez, distiller of T1 Tequila Uno and Tears of Llorana, reveals the only real rule, according to the normas (the rules and regulations that govern the […]

T1 Tequila Uno Estelar.

Tasting Tequila Uno with Germán González (4)

Tequila Uno Estelar Germán Gonzalez, distiller of T1 Tequila Uno and Tears of Llorana, explains what it takes to make T1 Estelar añejo. Flavor Notes Aged for almost 24 months, it is much darker and richer than T1 Tequila Uno Excepcional reposado. The wood tones, courtesy of the used scotch whisky barrels Germán employs, shine through […]